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This Reddit is generally a great place to see honest feedback and examples of shooting you can do with not only the Fusion but other action elements. Retrieved 16 August 2015. The that can record ambisonic audio go pro 360 sphere like surround sound recording and playback technique using Ambix. Each time you boot up Fusion Studio, previews have to be made whether you are working from the camera or your local drive, and those too only take about 5 minutes or so. Retrieved 26 Jun 2014. The HERO3 White Edition remains as GoPro's low-end device. Archived from on 28 January 2014. Une fois votre produit Gopro 360 choisi parmi les 244 articles disponibles, il ne vous reste plus qu'à le commander en quelques clics. His la for a camera system that could capture the professional angles inspired the 'GoPro' name. You have a little more flexibility when swinging hues around and bumping the contrast. The camera itself feels like a matte-finished rubber, similar to the Hero 5 or 6.
All three versions of the HERO3 come in a 30% smaller and 25% lighter package, with built in. The Naked camera line forms the basis for other bundles, which are differentiated by the types of mounts they have HD Helmet HERO, HD Motorsports HERO, HD Surf HERO. In Superview mode, 4K is only possible at 25 fps. Retrieved 16 August 2015.
Camera 360 độ GoPro Fusion - It was first listed on August 6, 2010. To edit a flat 1920x1080 video using multiple parts of your 360 video you are going to want to apply the GoPro VR Reframe plugin on to your footage.
Just like 3D televisions and Google Glass, 360 video and virtual reality video seem to be a forced trend that might click with the general public, but needs a lot of compelling content to kickstart it. One company that could bring 360 action videos to the mainstream - and is known for creating compelling and mind blowing content - is. GoPro really began resonating with the public when they released the , a 4K capable action camera that could withstand water and minor drops while continuing to capture broadcast quality video. The GoPro Hero is the pinnacle action camera line and is so good that it seems like they are having trouble getting customers to upgrade and buy the newer Hero cams, like the or , because of how complete their previous cams were. One way GoPro is trying to stay competitive while holding on to their extreme sports roots is with the GoPro Fusion camera. The that can record ambisonic audio a sphere like surround sound recording and playback technique using Ambix. To set the Fusion apart from other 360 cameras like the , , , and , GoPro is seemingly banking on both damage resistance, as well as the ability to take a 16:9, 1920x1080 section of the 360 video captured on the Fusion and export it is a standalone video, which GoPro labels this Overcapture. To go even further, GoPro touts that its overcapture can be done on a mobile phone app at the moment iOS only as well as desktop software. The colorist in me wants to always use the flat ProTune setting because, of course, we can make it look better than a standard GoPro color profile... However, if you want to turn the blues teal, the grass brown, and the sky purple - the flat ProTune color profile is where you will want to live. You have a little more flexibility when swinging hues around and bumping the contrast. For example, if you work in any sort of documentary or reality television, conversations inside of cars can require lots of small cameras when filming, and lots of work in post production to sync and group. If you use a Fusion you can have at the least the passenger, driver, and view out the windshield from one camera. Well the two mandatory memory cards, which if you have a few GoPro Heros lying around, I guess you could steal those memory cards and pop those into the Fusion. This Reddit is generally a great place to see honest feedback and examples of shooting you can do with not only the Fusion but other action cams. You could do the same on a Super Speed USB charging port on a desktop or laptop. While it was already charged 80% out of the box, it took about an hour to fully charge the Fusion battery from being flat. However, from zero battery life you are definitely going to need to let it go overnight. It will last a little over an hour when filming 5. Right when I picked up the Fusion I could feel the build quality. Overall the Fusion itself is on the large side. It is about the size of two Hero 5 or 6s stacked on top of each other which makes sense since this is essentially two cameras in one body. The camera itself feels like a matte-finished rubber, similar to the Hero 5 or 6. Unlike the Hero line of GoPros, the lenses do not have interchangeable covers on the top of them, leaving the lenses very, VERY exposed. This might be the time to pitch the GoPro Plus program. You also get 20% off accessories, as well as VIP Support. This is also the point where I plead with GoPro: can we protect those lenses somehow? GoPro has made a living off cameras surviving almost anything, and while the Fusion is water-proof up to 16ft without housing, the lenses are what I worry about most. If you scratch one of those, your media is pretty much toast. After all those thoughts, I had the Fusion fully charged and I quickly got familiar with the menu, which is similar to some old GoPro menus without a touchscreen - clunky. That being said, the voice commands do work pretty well. However, I would love a joy-stick like button to get around the menus, because pushing the mode and record buttons confuses my little brain. Using the Menus To really set up the Fusion efficiently you need to use an iOS or Android based phone. I really love how you can move your phone around in 360 degree space to see what your Fusion is seeing. Going through the menus on the phone, you first choose your shooting mode: Video, Timelapse, or Photo. In the video menu you can choose between 5. In Photo Mode you can choose either ProTune or RAW - Burst Mode or Night Photo Mode. In Timelapse Mode you can choose between Timelapse Photo, Timelapse Video, or Timelapse Night Mode. Shooting a Timelapse With all these options, my advice is to shoot video to as close to the finished project as possible, so if you are doing a timelapse use the Timelapse Video Mode, where the Fusion will do all of the hard work putting the video together. As I went through using the Fusion I quickly learned that the post production is the roadblock in 360 video. It is not efficient even if you have a 40 core monster system. But shooting as close to the final clip length as possible will give you a leg up on editing. What I always loved about the Hero line of action cams was that I could just pick it up and go without thinking about it. With the Fusion I find myself thinking about what I will use it for. If you are lifelong GoPro-er like me, the Fusion takes a change of mindset. That being said, I still needed to test it out so I took the Fusion out to the park and let it run a video timelapse while I was playing around with my kids. It was a partly cloudy day, so it was perfect to get some nice cloud-lapse action. I set the Fusion to Timelapse Video mode on a 2 second interval, at 5. Using the Fusion menu system on the camera brings me back to the days of trying to navigate the older Hero line of GoPros like I mentioned earlier. It feels like you have both arms tied behind your back. And using the Timelapse Video Mode is the most efficient way to get a 360 timelapse onto YouTube, unless you have many hours to post process your files. Even when you use Timelapse Video Mode, make sure you leave a few hours for post processing in Fusion Studio. I used an older GoPro suction cup mount that I had at home with the Fusion to mount it to my windshield while I drove. One thing that is really handy with the video setup of the Fusion is that you only have two options: 5. I mounted the camera on the windshield and hit record to immediately go into video record mode, not too much thinking involved especially since a lot of settings occur in the post production of the Fusion camera using the Fusion Studio software. You will learn that lesson quickly once you begin to transfer your footage to your computer. Once you install the which also installs the Adobe Premiere Pro and After Effects VR plugins , you have two options: do the work off the camera or manually transfer the media to your computer and point Fusion Studio to its location. Either way takes a tremendous amount of time and processing power. All that being said, I transferred the 25 minutes of footage I had filmed separated into a Front and Back Camera folder in about 30-40 minutes. Keep in mind you need to transfer the entire folder of contents for each camera to your system. Each time you boot up Fusion Studio, previews have to be made whether you are working from the camera or your local drive, and those usually only take about 5 minutes or so. From there you can choose the video you want to work from, and decide whether you want to make a 360 video or isolate a section using Overcapture. If you are exporting a 360 still image you will adjust your capture, select an export setting which is oddly the same as the video options, and then change the image settings in the render que - an odd oversight. In Overcapture mode you can create a TinyPlanet look where all the video is stuffed into the capture window and it looks like you are standing on top of the world, a 16x9 isolation of any direction you move the viewer to, or a 4x3 isolation. In both modes you can fix things like the horizon and also adjust color settings like the GoPro Flat or GoPro Color settings. Once you fix any white balance issues or horizon problems you are ready to export. Fusion Studio gives you a few options: Editing, Facebook, YouTube, and Vimeo. You can identify and select options like resolution and audio layouts either Stereo or 360 if the destination supports it. Once you select the Editing preset you add it to the Render Queue, from there you can click on the queued video and choose whether you want to use H. Fun fact: ProRes export works on a Windows PC! That being said, I personally like Cineform for its color reliability between operating systems, but that is just a personal opinion. Render time is the definite downside to 360 video in general. The 30 second test clip I exported with the Editing preset in Flat color with Image Stabilization applied took an hour to export, and the resulting file was a 1. Once you are done in Fusion Studio you can either upload your video to the server of your choice like YouTube or go even further and load it into Adobe Premiere. I wanted to work inside of Adobe Premiere since that is probably what most people will be working inside of. Keep in mind you will need to run the clips or timelapses through Fusion Studio first to get an editable Quicktime that is stitched together, and then you can send it over to Premiere for further editing or color correction. Editing In Adobe Premiere One roadblock with Premiere is setting up your sequences properly before you begin so that your exports work correctly. Usually export problems occur because of incorrect audio tracks being assigned in the original sequence preset, mixing up mono or discrete instead of 5. When setting up a Premiere sequence to use with the Fusion files or 360 video with 360 audio in general you need to set it up properly before you edit. If you are using stereo audio, select that preset. And if you are planning on doing some Overcapture style editing, select the 1920 x 960 version and change your vertical aspect ratio to 1080. In addition, check that your timeline has 4 channels of audio, Audio Master is Multichannel, and Track Type is Adaptive. From there if you are using the 4096 x 2048 setting you will want to set your Premiere viewer to VR mode. To set it to VR mode you are going to right click on your Record viewer, scroll down to VR Video, click Enable, right click again, scroll down to VR Video, click settings, and change the Monitor Horizontal View to 180 leave Vertical at 108. This way you have a 16x9 view when you click and scroll around the VR video on your new timeline. In terms of editing you can edit and color correct like normal. If you want to add text you will use the GoPro VR Layers, and if you want to straighten the horizon you will use the corresponding GoPro VR Horizon plugin. Under each plugin there are options like correcting the Yaw, Pitch, Roll, and even Field of View. If you keyframe these you will want to experiment with the Smooth transition settings to not edit a jerky video. The Smooth Transition setting really comes into play when you are doing an Overcapture edit. Again, when editing an Overcapture video you want to use a 1920x1080 timeline. To edit a flat 1920x1080 video using multiple parts of your 360 video you are going to want to apply the GoPro VR Reframe plugin on to your footage. You will also not want to view your sequence in the VR display that I described earlier, since technically you are creating a flat 1920 x 1080 video. This takes some practice but can make for some very interesting videos. With just a few keyframes you can get some surprisingly great results and dynamic camera moves: In Adobe Media Encoder you probably will want to export a YouTube compatible H. Under Format select H. This preset is handy because it will include any metadata settings that the streaming services needs to properly playback your 360 video, including 4 channels of audio with the VR flag, as well the the video with the VR flag. To run BCC VR inside of Resolve you would definitely want a high power machine with a beefy GPU like a NVIDIA 1080ti. In the end the with 360 audio recording capability is not a cheap solution for the standard GoPro enthusiast. However, if your interest is piqued or you are already using 360 video, it may be the high quality solution for you. I have written and somewhat complained about the post processing of 360 video. Well, bad news everyone: this is for any 360 video. So notwithstanding the post production power you need to process these files, the GoPro Fusion is the high quality action camera we have come to expect from GoPro. My advice is to shoot what you want to upload, no more. The Fusion is a solid version 1 of a product but could really use a version 2. If you scratch the lenses on the Fusion you are out of luck and better have paid for the GoPro Plus service. I think it is at the point where we are at, in the evolution of 360 video. As a workflow pipeline for pro-sumers and enthusiasts, 360 video is a heavy lift in post production. GoPro did their best with the ability to use Overcapture on iOS devices, and hopefully Android devices soon. But once you get into editing and color correcting 360 video, you may get frustrated. Brady Betzel is an Emmy nominated Online Editor working at Margarita Mix Hollywood in Hollywood, California where he works on shows like Life Below Zero for National Geographic, Cutthroat Kitchen for Food Network, and many more including documentaries and commercials. He has worked his way up from working as a Post Production Coordinator to Post Supervisor on talk shows like The Showbiz Show with David Spade, Offline edited on shows such as Bad Girls Club and The Real World, and is trying to not be constantly tackled by his 3 sons. You can find Brady on Twitter: and you can check out other shows he has worked on. Feel free to email him at bradybetzel gmail.